The prologue of this story is an old door that needed to be stripped. I brought in my amateur stripper, Doc Karen, to serve as my photo model for this two part pictorial. Even anesthesiologists have to moonlight to make ends meet these days <grin>.
I was gratified that she took our tutorial seriously enough to wear her surgical scrubs (mismatched as they were). I guess that makes me "House".

Karen's own house is full of painted architectural woodwork so she wanted to learn how the paint stripping process worked. Since it's her door now I was only too happy to hand her the tools and take my position behind the camera, tucking an occasional dollar bill in her rubber glove and yelling, "Take it all off, baby!" until she threatened to beat me stupid.
The first thing she did was get the door in a comfortable working position on a pair of sawhorses. Whenever possible, try to remove the woodwork and get it horizontal. This applies to baseboards and casings too. If you don't, you'll know why this is a good idea about twenty minutes into working with a heavy heat gun. These things ain't hair dryers.
Karen prepped the area so she would have the tools and supplies she needed when she needed them. I told her it was probably a lot like what they do before one of her operations. This is less important at the heat gun stage than it is when you start with the chemicals. Get all your scrapers and brushes together. Lay a plastic garbage bag on a convenient nearby surface where you can set down your grungy tools when the phone rings. Place a 40-gallon garbage can within arm's length and have a spare bag ready. Pre-rip a lot of paper towels into a pile. It's hard to do that while wearing heavy gloves.
Painted old house woodwork will commonly have varnish or shellac as the base layer. That's good news for two reasons. One is because it provides a barrier between the paint and the wood. This is a time saver when you're working with an open-grained wood like oak because it prevents the paint from melting into the grain, where the job becomes exponentially more tedious.

The other reason is because this makes a heat gun ideal for the first stage of stripping. Under heat, varnish liquefies before the paint so you can scrape off decades of paint in one pass and in one long ribbon, as Karen is doing above. If we had used only stripper on these five or six layers of paint, this door would have been a mess for hours. You can see from the photos how much easier the job becomes without having to clean up a witch's brew of funky melted paint and noxious stripper. Minimizing the use of caustic chemicals is important, not just for your health but the health of the wood.

She started by warming up a 4x10 inch area at the end of the door with the heat gun. You can tell the paint is ready for scraping when it just starts to lift, as you can see here. Don't let the paint burn or blister, especially if you suspect lead paint (wear a chemical mask regardless though). Always strip with the grain whenever possible.
I like this scraper because it has an edge like a dull chisel so it slices under and lifts the paint better than does a flat scraper. The technique is to work slowly in a forward direction, keeping the heat gun a couple of inches in front of the blade, as Karen is doing here. If the blade starts to hit resistance, slow down and let the surface get a bit warmer. Don't stop and go back to pick up something you missed. Get it in another pass. You don't want the warm, sticky paint you just lifted off the surface to reattach itself to the bare wood.
When that ribbon of paint starts to fall back over the unscraped stuff, dump it in the garbage can. If you need a second pass with the heat gun, make sure to clean the scraper blade before starting again.

After the heat gun, the next steps is to scrape off the hardened residue with a pull scraper. Most of this will be hardened varnish. The center panel in this door will be removed and replaced with an architectural metal screen so Karen's not stripping it.
Now we go to the chemicals. My apologies to the "green" folks but none of the soy/citrus strippers work nearly as well as the hard stuff. Here we're using Klean Strip. Karen bought the stuff you spray on; I like the KS3 gel that you paint on. Same stuff, just that whatever convenience you gain with a spray bottle you give up with having to refill the small spray bottle frequently.

The axiom is, "let the stripper do the work". I like to let the stripper sit undisturbed for at least ten minutes. Resist the temptation of toying with it during this step. Chemical strippers are designed to create a seal to trap the active chemicals next to the paint. Breaking this seal lets in air and weakens the chemical action.
Then go at it with a fine wire brush, like Karen is doing. This is followed by a wad of clean paper towels. Then another spritz of stripper, another wire brushing, another wad of paper towels.

Usually, that's all you need. This was Karen's first time at stripping so we'll need to do one more light pass to remove the last film of varnish. Then we'll neutralize the stripper with MEK, which is optional but saves sanding later. Then it's an overnight dry before sanding through the grits (100 and 150), which should always be done with a dust mask after stripping. If you have fine detail to clean out, use a metal dentist's pick and a small wire brush.
stripping
Stripping a Door
Submitted by Steve on Sat, 10/20/2007 - 10:41pm
A Prodigal Door Returns
Submitted by Steve on Fri, 09/28/2007 - 9:21pm
Okay, it's a lightweight job and it's not even for my house. But after several months of heads-down work on a software task for my client,
The Children's Health Fund, I've got another DIY project. Maybe it will kick me back into gear to finish the cabinet doors and stained glass projects that have been dogging me all summmer. Well, some of it for a lot longer than that.
The job is stripping an old interior door and replacing its center panel with some sort of a screen. Karen is a licensed wildlife rescuer and needs this door so her animal room has adequate ventilation. She wanted to install an aluminum screen door but my relentless bleating about what a hideous scar that would leave on her old house succeeded. I suggested that she instead do some dumpster diving for a 30" door and we'd modify it so it would at least have some architectural integrity with her old federal style house. She agreed.
More importantly, I figured that would keep her busy until sometime next year, when she might forget all about it.
The job is stripping an old interior door and replacing its center panel with some sort of a screen. Karen is a licensed wildlife rescuer and needs this door so her animal room has adequate ventilation. She wanted to install an aluminum screen door but my relentless bleating about what a hideous scar that would leave on her old house succeeded. I suggested that she instead do some dumpster diving for a 30" door and we'd modify it so it would at least have some architectural integrity with her old federal style house. She agreed.
More importantly, I figured that would keep her busy until sometime next year, when she might forget all about it.
Miscellaneous Before/After Shots
| the entry | ||||
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| Inspection day. The plaster was being held together by gobs of a weird enamel drip paint. The stairway was covered in cheap latex. There had been a flood in this house -- a toilet which overflowed for three days, I’m told -- so the old parquet floors popped. There was only one electrical outlet in this section of the house. |
Three years later. There's about 200 feet of mesh tape in the walls and lots of new plaster.
All of the walls in this shot were skimcoated using a nifty device I found on the web, Magic Trowel. Several new electrical outlets were added along with a central vac port, visible at the lower right. Besides the staircase, which is about 50% renovation, all of the woodwork in this picture is new. The old stuff was beyond salvage.
For details about the stair renovation, see The Staircase. |
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| the computer room | ||||
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| Evidentally, the chapel. |
Now, it's my home office. Actually, all that was done here was to refinish the floor, patch, prime and hang some shelves. I got this room to this state a week after I moved in.
Since this picture was taken the room has been renovated yet again. It's now my guest room. |
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| garage roof/living room deck | ||||
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| The original living room deck/garage roof. Besides bad leaks from a shoddy concrete job, which actually sloped away from the drain, the low railing was a trip hazard and code violation. That's probably why the door from the living room was siliconed shut. I recycled that railing for the backyard garden. | The original roof was removed, new steel and lintels were added and eight inches of concrete was poured with a rubber membrane in the sandwich. Frank O'Donnell was the GC for this work; it was definitely not a one man job. The brick was matched to the existing house and laid by Jim Lally of Galway Bay Masonry. I did the slate. | |||
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| living room | ||||
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| There were only two electrical outlets in the room, the parquet floors were gone, the ceiling fan was hanging on two drywall screws sunk into plaster lathe (scarey!) and the woodwork was too destroyed to renovate. The oak pocket doors were gone, replaced by a cheezy house trailer sliding divider. Go figure. Sometimes I think that people should have to be licensed to own a house over 30 years old. |
After an unsuccessful attempt at stripping, I rebuilt the bay window unit with red oak. To replace the old panels beneath the windows, I built open cabinets with low voltage lighting. They may get stained glass doors later. I also replaced the old radiator with a cast-iron baseboard unit and built a red oak enclosure for it, mostly out of leftover flooring.
There's another 200-300 feet of plaster mesh tape and plaster washers sunk in these walls and in the water-damaged ceiling. Cutting the angles on the crown moulding over the windows was the trickiest part. As I recall, they were 23-1/2 and 22 degrees, respectively. I made a lot of practice cuts before slicing into the eight-buck/foot crown moulding. |
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| office | ||||
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Inspection day.
This was a weird little room. It had a false wall built from street salvaged material and spray foam insulation, the latter of which was a bitch to remove. A neighbor told me that the resident of this room was deathly afraid of mice, although I've seen no evidence of rodents in the house. |
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After renovation. This was actually my second office, having moved it from the larger bedroom next door. There's nothing special to it. I replaced all the trim and laid down a Mannington engineered oak floor.
Excuse the weird camera lighting. I'm still struggling to learn my new Canon Digital Rebel. |
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| some random renovation shots | ||||
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| Joyce Lariviere did this stripping too but there's a lot of new work here. The challenge was trying to make the new blend in with the old. The staircase balisters, newel post caps, casements around the living room entrance and crown mouldings are all new, as are the wrought iron exterior doors. The mudroom entrance floor will get a marble medallion. | The new herringbone red oak floors are down with one coat of poly to go. Before that happens though I have to build a couple of china cabinets, which will go on either side of the doorway, and do the trim. I'm not exactly sure at this point what I want for this room. The original house had oak plate rail and decorative pressboard inside rail/stile paneling and gingerbread over the doorway. It was pretty nice. I may try to recreate that later. | |||
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| When I vacated my loft, I decided to leave most of my furniture behind. This was all the living room furniture I took: a 15 year-old TV and a dolly. | Okay, the sequences are confusing but I lied on the Dining Room page. I decided I needed one last built-in after all: a media center. This was after coming to the realization that my original idea to make one of those dining room cabinets a media center was dumb, if only because it was in the wrong room for a home theatre system. So it was back to the shop to build this. I still need to construct the glass door panels. | |||
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That entertainment center was a troublesome piece to build. For one thing, it was too large to make it out of my basement shop's door. It's six-sided and I could only construct the back three sides in the shop. It was carried upstairs and constructed in place. I thought that this was going to be my first major disaster.
My recording studio construction background came in handy here. I didn't want speakers cluttering the small living room but I also wanted something with a hefty midrange you can only get from a large driver. So I bought a pair of Polk in-walls and pulled Monster cable across the basement ceiling and up inside the walls. You can see one of the in-walls next to the dining room entrance. A Polk subwoofer sits on top of the cabinet (I have to find a way to hide that better) and there's a center channel speaker inside the cabinet, everything driven by a Denon seven-channel receiver. The dining room also got a pair of slaves (Polk, of course). I have to say the system sounds freakin' amazing! Finally, paint and furnishings! The green paint looks a little, I dunno, electric in this shot. It's another cheap digital camera trick. I built the coffee table and end table too, using some real nice quarter-sawn oak I found in the Bronx. The former has a hidden tray in front to stash the various remotes. One problem: Chopper is already starting to tear apart those tapestry sofas. |
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entry floor |
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The entryway/foyer floor was the final first-floor eyesore so I was anxious to get this out of the way. The problem was cost. I wanted a marble medallion but I couldn't find anything decent for less than five-hundred bucks. Then I decided to check the web, where I found an eBay store that specializes in them. This cost $139 so I grabbed it and finished off the field with green tumbled marble and ivory marble mosaics.
But before I did that I had to replace the concrete subfloor, which was crumbling due to a badly-placed air valve in the basement that was blowing super-heated steam underneath. I relocated it above the floor (you can see it in the upper left corner). A wet saw is mandatory for stone tile and cuts like this. |
View from the living room. From a distance it looks like the presidential seal. The key to tile applications like this is lots and lots of layout. I used up half a pencil drawing quadrants, lines and circles on the rough concrete. I also made a masonite template of the medallion for the tile cuts. Polished marble tile in the field would have prevented that wide, ragged grout line but that would have meant a dangerously slippery floor inside the main entrance. | |||
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stained glass construction
After getting some pricey estimates for the four stained glass panels needed for the
LR french doors I built, I decided to make them myself. I saved money even after buying all
the tools and materials I needed. Actually, the skills required to do a decent job for something
as simple as this aren't much different than those required for simple woodwork joinery.
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| The layout. The design incorporates elements in the existing living room transom and entryway sidelight windows. My table saw extension is the layout table. | Laying out stained glass is a bit like building a jig saw puzzle. Tight fits are important because stained glass is basically just a broken window repaired with lead cane. Gaps between cane joints or cane and glass will be weak points later. | |||
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| Two down, two to go. The panels are puttied and polished and have to lay flat for three days to cure. So do I occasionally. | The stained glass panels are installed in the living room french doors. Unfortunately, the ornate wrought iron doors behind it kind of obliterate the glass with the low winter sunlight beating on them. | |||
The Staircase


























